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focuses on Flannery O'Connor related information evaluated for its reliability and
usefulness: links to biographical information about Flannery O'Connor, critical
analysis of her work, and general praise of her abilities as a writer and a human
being. If you're searching for essays and other scholarship on Flannery O'Connor
published on the Web, we try to catch everything that we think is truly helpful.
Be aware that most critical analysis of O'Connor is in hard-copy.
The documentary Uncommon Grace has been picked up by PBS stations for broadcast in various states. Dates vary, but here are the stations planning to air the documentary in March and April:
Uncommon Grace: The Life of Flannery O'Connor
If you're looking for a full-length documentary about O'Connor, this is it. Literally, it's the only one. I'm amazed it's taken so long for O'Connor to get a documentary of her own, but given the recent increased interest in her work, I believe this is the perfect time for one, and Bridget Kurt has done a commendable job of distilling the essence of O'Connor's life into this perfect introduction to O'Connor that explains how her work was influenced by the places she lived, the people around her, her deep Catholic faith, and her illness. The video brings together the tangible with intangible, tracing the thread of relatives, homes, schools, cultural shifts, personal objects, hospitals, work habits, friends and more as she weaves them through her fiction. Of course, it also discusses her unique perspective as a Catholic in the predominantly Protestant state of Georgia, and reveals how her work reflects the tumultuous changes happening during her life. Viewers will be treated to around 100 previously unpublished photos, as well as interviews with experts on O'Connor's work including Bruce Gentry, professor at Georgia College and State University; Brad Gooch, author of the most recent O'Connor biography; and William Sessions, O'Connor's authorized biographer and personal friend.
Daniel Moran recently released Creating Flannery O'Connor, a new book that considers how O'Connor attained the status of the "great American Catholic writer" and how she herself felt about it, examining O'Connor's evolving career and Robert Giroux's role in shaping her literary identity by examining the development of her literary reputation from the perspectives of critics, publishers, agents, and contemporary readers. Moran's sources include the Farrar, Straus & Giroux archives at the New York Public Library, as well as O'Connor's private correspondence. He also discusses current reader opinions--as found on sites like Goodreads--and the way her work is debated and discussed very much as it was when Wise Blood was first published in 1952. Find out more about the book and Daniel Moran at the Creating Flannery O'Connor website.
In his review Faith and Faithfulness in John Huston's Wise Blood, Stuart Klawans looks at the limitations Huston faced in bringing O'Connor's novel to the screen, and explains how Huston's behavioralist approach to film making remains faithful to both the literal text of the novel and the deeper currents driving the characters.
A group of media students at the Western Kentucky University are working on an episodic documentary called Flannery's Porch. Their goal is to tell the story of O'Connor's legacy in light of the social justice issues prevalent today--sustainability, diversity, poverty, LGBT rights, and animal rights. This means her story can be used as a platform for telling news. The documentary begins with O'Connor's farm and the two women working to save it, Elizabeth and April, both lifelong Flannery fans doing their own work to preserve her legacy.
The Paris Review has a new arts and culture article by David Griffith on "The Displaced Person": Reading O'Connor in the Age of Islamophobia that looks at O'Connor's story in light of the current cultural bias toward muslim refugees.
William Sessions, who recently finished the authorized biography of Flannery O'Connor after many years of deep research through her personal papers, is the main speaker in "Between the House and the Chicken Yard: The Life and Legacy of Flannery O'Connor" a presentation honoring the 50th anniversary of O'Connor's death. Sessions talks with Angela Alaimo O'Donnell, discussing O'Connor's life and work, as well as a short Q&A with the audience where Dr. Sessions reminisces about a long-gone Georgia of the mid-twentieth century, and where O'Connor fitted into that cultural landscape.
Given the complexity of O'Connor's fiction, the fact that her stories refuse simplification, and their demand for absolute attention on the part of the reader, how do we work with O'Connor in the classroom context? How do we bring an audience of impatient college readers whose only experience with O'Connor is probably reading "A Good Man is Hard to Find" partway through their high school American Literature course, to meet her on her terms? Nick Ripatrazone offers up his ideas in "Mystery and Manners: On Teaching Flannery O'Connor".
A request from a visitor looking for audio of O'Connor reading her own work led me to The Morning Oil, where I found WMA files of O'Connor reading "A Good Man is Hard to Find" and one of her lectures on aspects of the grotesque in Southern fiction.
PBS Religion and
Ethics Weekly contains a fantastic Flannery
O'Connor episode that includes interviews with Ralph Wood, Brad Gooch, Bruce
Gentry and people influenced by O'Connor's work.
Who was Flannery O'Connor?
Essays: Criticism of O'Connor's work on the Internet. Many of these are "scholarly,"
but there are several non-academic articles here as well, so be careful if you use
them for a paper.
: Works by and about O'Connor available online or at your local bookstore.
(If you want
to see everything Amazon offers on O'Connor, you can use this connection that searches
anything tagged Flannery O'Connor.)
Sites: The requisite "links" page.
Join the Flannery O'Connor community on Google+ to discuss O'Connor, her works, and her influences on arts and literature.
Interested in film adaptations of O'Connor's fiction? Here are several
productions that have translated O'Connor's stories to the screen.
Thanks to the efforts
of the Flannery O'Connor-Adalusia
Foundation anyone can now visit Andalusia, the farm where O'Connor spent much
of her adult life and wrote most of her stories.
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